Monday, October 7, 2013

Equiano class 10/07: The Construction of Self in The Interesting Narrative

Choose one or two of the following prompts for "discussion" and compose response(s) to it or them (at least 500 words).  Don't worry about accuracy of the structure of your response; in other words, you are not writing polished essays but responding and sharing ideas as you would in class.  Once responses are up, you might interact with each other's ideas.  Respond using the "Comment" boxes at the end or send me your responses via email if you are having difficulty with that.

(1) Choose one passage in the Narrative that we have not already discussed (identify with chapter division of your edition--stating edition--and cite the first sentence) and talk about how any of the existing eighteenth-century structures we already discussed (the novel, the spiritual autobiography, travel narrative, the picaresque) influence this moment in the text.

(2) Adam Potkay focuses on the Narrative as spiritual autobiography.  An excerpt from his seminal essay is included in the supplementary materials of the Norton edition (382-392).  He argues that "Equiano reads and renders his own life--and perhaps by extension the life of his race--as mirroring the movement of Biblical history from the Old Testament to the New.  That is he reads the pattern of his life as reduplicating the pattern of salvation history found in the Christian Bible."  Either engaging or not with the essay, discuss the idea in terms of a later passage or passages (after the childhood episode we discussed last time) that occurs in the Narrative.

(3) What do you make of Equiano's proposal at the end of the narrative for a "system of commerce" to be established in Africa?  How does such a  proposal fit with his anti-slave trade argument throughout (use other passages in responding)?  Has Equiano become too "white," too European by the end of his Narrative?  Is this proposal just symptomatic of the fluidity of the "self" at the heart of the Narrative?

(4) Consider William Wilberforce's argument in his "Speech in the House of Commons" (Norton p. 282):
When we consider the vastness of the continent of Africa; when we reflect how all other countries have for some centuries past been advancing in happiness and civilization; when we think how in this same period all improvement in Africa has been defeated by her intercourse with Britain; when we reflect that it is we ourselves that have degraded them to that wretched brutishness and barbarity which we now plead as the justification of our guilt; how the slave trade has enslaved their minds, blackened their character, and sunk them so low in the scale of animal beings that some think the apes are of a higher class, and fancy the orang-outang has given them the go-by. What a mortification must we feel at having so long neglected to think of our guilt, or attempt any reparation! It seems, indeed, as if we had determined to forbear from all interference until the measure of our folly and wickedness was so full and complete; until the impolicy which eventually belongs to vice was become so plain and glaring that not an individual in the country should refuse to join in the abolition; it seems as if we had waited until the persons most interested should be tired out with the folly and nefariousness of the trade, and should unite in petitioning against it.  9
  Let us then make such amends as we can for the mischiefs we have done to the unhappy continent; let us recollect what Europe itself was no longer ago than three or four centuries. What if I should be able to show this House that in a civilized part of Europe, in the time of our Henry VII., there were people who actually sold their own children? What if I should tell them that England itself was that country? What if I should point out to them that the very place where this inhuman traffic was carried on was the city of Bristol? Ireland at that time used to drive a considerable trade in slaves with these neighboring barbarians; but a great plague having infested the country, the Irish were struck with a panic, suspected (I am sure very properly) that the plague was a punishment sent from heaven for the sin of the slave trade, and therefore abolished it. All I ask, therefore, of the people of Bristol is, that they would become as civilized now as Irishmen were four hundred years ago. Let us put an end at once to this inhuman traffic—let us stop this effusion of human blood.  10
  The true way to virtue is by withdrawing from temptation; let us then withdraw from these wretched Africans those temptations to fraud, violence, cruelty, and injustice, which the slave trade furnishes. Wherever the sun shines, let us go round the world with him, diffusing our benevolence; but let us not traffic, only that we may set kings against their subjects, subjects against their kings, sowing discord in every village, fear and terror in every family, setting millions of our fellow creatures a-hunting each other for slaves, creating fairs and markets for human flesh through one whole continent of the world, and, under the name of policy, concealing from ourselves all the baseness and iniquity of such a traffic.  11
  It will appear from everything which I have said, that it is not regulation, it is not mere palliatives, that can cure this enormous evil. Total abolition is the only possible cure for it.

To what extent is Equiano's purpose and sentiment in his Narrative similar to those expressed here by Wilberforce?  Does the fluidity of "self" we have discussed whereby Equiano is simultaneously "same" and "other" strenghten or complicate his humanitarian argument?  Can you see other purposes than presenting the anti-humanity of the slave trade (is this even the main purpose?) in the Narrative?  In your responses, use later passages than the ones we have already discussed.

16 comments:

  1. I find it interesting how Equiano's autobiography functions to serve a purpose greater than self expression, unlike the Pepys and Boswell works. Sure Pepys had it in the back of his mind that someone may read his diary someday or nick it more likely and Boswell had a similar fear of discovery and so altered the names of certain persons featured in the journal, but they seemed to be more focused on documentation of the "here and now;" Boswell also seemed interested in showing off to his friend back home in Scotland who was missing out on the London excitement. Equiano writes his autobiography long after the event take place, and even if these occurrences made lasting impressions upon him- it is difficult to believe that all of those impressions upon memory are exactly as they occurred after so much time has passed, not to mention how physical suffering can alter one's memory of event. But he is more concerned with composing a tract against slavery- as is clearly made to point by his emotional outcries in the conclusions of certain chapters and what he choses to include or exclude (which we will never know) in his story. I feel it is more of "my'lfe as work of art" or more importantly of instruction in the Franklin-esque manner. Equiano makes particular note of his learning the French horn (though he nevers learns to swim, poor choice of exploit for a sailor) and spends a great deal of time commenting on Christianity and seeing God in everything. I found it interesting how he attributed his cursing to the destruction of the ship on page 112, though he had already had the dream about the same thing two times (seems like the cursing wasn't what caused it-arguably not predestination either). He remarks on 178 how he "early accustomed myself to look for the hand of God in the intestinal occurrence, and to learn from it a lesson of morality and religion" which is the "true Christain" thing to do- but he is mindful to occasionally show his faults (though not very often) as when he almost causes one ship to blow up by carrying a candle amidst gunpowder and when he repeatedly (3 times) takes his candle into a room filled with combustibles (the 2nd time of which the room does catch on fire, though he admits he ventured into the same room again because there was no where else to write a journal entry in privacy).


    Brandi G

    ReplyDelete
  2. I think the conclusion of Equiano's narrative isn't "too white" but I think he has endeavored throughout the text to establish a connection with the audience who has the power and ability to affect slave trade policies. If he does not effectively get the readers to see him as white or ultimately English then he is still the "other" who poses a threat simply by being other than the majority population (i.e. the white, male decision makers in Europe). From the start of his narrative he is careful to show deference and respect, and though he has moments where he is more abrasive with his criticism against slave traders and "false Christians" he is very careful in the lead up to those passages and often follows them with apologies of some sort. Equiano doesn't want to shock his audience to the point they put down his text and do not return to it, but to shock them enough to inspire change. If he comes out "guns blazing" he might be more readily dismissed as a dangerous extremist.

    Perhaps the reasoning behind the financial argument is if the policy makers cannot be swayed through Christian sympathies or ethics, if there is no moral center to persuade, then money will change their minds instead. Kind of a "if everything I have said up to this point has not swayed you, then here's plan B."

    Something else I thought about (separate issue, along lines of need to record own story/life): Pepys and Boswell are both striving to stand out or make way up the ladder/be important. Does Equiano do this more effectively in using his "life story" for a cause?

    Brandi

    ReplyDelete
  3. I think the arguments in these two texts are similar in that they both call for the end of slave trade. Outside of that similarity, and granted it is a major similarity, these two arguments are written by two very different men approaching their common topic from both different perspectives and vantage points, yet they both employ rhetorical language incorporating theological elements of horror. I think Equiano’s humanitarian argument is stronger than Wilberforce’s because of the personal narrative Equiano is able to provide with his writing.
    Equiano is simultaneously a “self” and “other” in that he is both a former slave condemning the concepts of slavery and at the same time a slave owner living a privileged “white” life who is only able to espouse his condemnations by virtue of his upwards movement through society and ability to write a autobiographical and publishable narrative. Nevertheless, his narrative provides a sense of detailed validity and legitimacy to the problem that Wilberforce’s argument ultimately cannot. Therefore, I find it interesting that Wilberforce seemingly writes a sort of historical slave narrative for what he calls the “civilized part of Europe.” It’s as if the providing of grim details serves as compelling and shocking evidence for the horrors of slavery, and without that evidence, the argument against slavery/slave trade is less persuasive.
    Moreover, consider the rhetorical language both men use when condemning the horrors of slavery. In chapter five of volume one, Equiano describes his feelings when he is taken to the island of Montserrat. Not only does he use a strong rhetorical language, he goes so far as to quote Milton and describe the island as “regions of sorrow, doleful shades, where peace and rest can rarely dwell. Hope never comes that comes to all, but torture without end still urges” (73). With this example, Equiano is comparing the island of Montserrat and slavery to Hell and the act of torture. This comparison is intentionally employed to shock and convince his readers of the validity of his opinion via the use of a horrific theological persuasion, but it also shows of Equiano’s wide literary knowledge. Wilberforce states that the Irish ended slavery because a plague was “sure very properly…a punishment sent from heaven for the sin of the slave trade.” Indeed, both writers employ the use of both strong rhetorical language and allusions to horrific theological punishment directly related to the continuation of slave trade.
    Thus, one could certainly argue that another purpose for presenting the anti-humanity of slave trade is that it connects well both with theological concept of punishment and damnation and to audiences highly receptive to and influenced by those concepts. Therefore, both authors employ these concepts to help strengthen their argument. Yet, I believe Equiano’s writing comes off as more valid and convincing because he wrote 178 page book about his autobiographical experiences with slave trade while Wilberforce only gives a 580 word speech that lacks the “self,” “character,” and “experience” that Equinao’s narrative contains. Both men can condemn slavery, but Equiano actually experienced it, while Wilberforce can only speculate what it was/is like to be slave. Do you agree with this analysis?

    ReplyDelete
  4. I think it's extremely interesting how Equino, right at the end, says that his autobiography is "written by one who was as unwilling as unable to adorn the plainness of truth by the coloring of imagination'... and then a sentence later says 'Even those I have related (tales of life and fortune) are considerably abridged.' Abridged, of course, does not mean 'false' and yet, when you trim something down you by necessity edit it and pick and choose the part you will showcase, and even in that what you give more credence too. Equiano has 'chosen', then, to heavily focus on the Christian aspect-- often comparing his own religiosity with that of others i.e. page 151 Norton-- "I had frequent contests about religion with the reverend father (Spanish0, in which he took great pains to make a proselyte of me to his church; and I no less to covert him to mine.' It's as if Equinao is at great pains to show how loyal he is to being an Englishmen i.e. of Britain, one of them, and the easiest (only?) way to be included (to even include himself) is through the one thing he can not only share with the English, but in which he can not only be seen as an equal, but perhaps with greater piety, even be thought to surpass the religiosity of the common man. And so, in making himself 'better'-superior- at the very least equal, his words and beliefs will have a better chance at being heard/accepted/ implemented in some way even (Mary Wollstonecraft's review of the 'Narrative' shows how affecting it was and how it could change perceptions...("sufficient to wipe of the stigma..."-- and it was also interesting to read her thoughts on the style/content/language: that the latter part could have been done without and in fact, as far as she is concerned, dilute the power of the slavery incidents.) While I do find it suspect that Equino could have remembered such precise details from a place he was torn away from at age 11 (not suspect in that i don't believe him, but suspect in so far as there must have been some embellishments for how could his memory have otherwise retained so much detail), there is no doubt that no matter how much he may have wished to be included and not thought of as 'other' (i.e. his portrait with white wig and bible in hand), he could not completely sublimate himself from the fact that he was where he was because he was the 'other' in so far that he had been kidnapped and a slave, and the inhumanity of this is great enough for him to have written his "Interesting Narrative'.

    ReplyDelete
  5. I wonder how much of a change he may have thought this story/autobiography, would have had the ability to change the reality of what was happening--- given that he often thinks people are not really as imbued with the Christian spirit as they think they are, it makes sense that, near the end, he covers another base by appealing to economics instead of just Christian values and ethics. (His argument about commerce and that making the Africans buy English made goods is what ended up happening anyway-- and reminded me of India and the East India Company, and Colonialism and the fact that even thought the Indians could make their own salt, they were forced to buy salt from the British- which led to Ghandi's salt march etc... etc...-- I suppose the end of slavery necessitated slavery of another kind....) As such I don' think only fluidity of the self is responsible for Equinao's economic proposal. Whatever it may mean to be white/European-- he can gather all the accouterments of that, the education, the eduditeness, the portraits, the travel-- but the fact that he writes off his capture, the middle passage, his enslavement, is proof enough to himself and reminder to everyone that he is not 'them' (even if he is at equal footing with them). i don; think anyone who wants people to forget that they are not one of them would have written an autobiography, at all, and certainly not have included the 'otherness', and then spoken out against the slave and, in so many instances shown the Europeans in unflattering terms-- because had he thought he was white/European, the unflattering terms, images etc... would then apply equally to himself..... I think being both 'other' and the 'same' gave Equino a stronger sense of what he was talking against as well as who/what he was up against. Though Wilberforce refers to the Irish as once selling their own children (and in fact it was that they though the famine was a punishment for this) and thereby comparing and contrasting slavery as an 'everyman' evil, rather than something that only the Africans engage, reminded me of Equino's descent into harsh language about 'savages' and anti-Christian sentiments-- but he is other, and this shows in this strong language, having to suddenly softened by apologies. (in the book Wilberforce's quote ends with reference to a Hans-town which were free towns established in Germany for 'economic advancement and protection' (footnote to quote)-- reminiscent of Equino' economic proposal. Would Wilberforce every have to soften his approach, or temper his words in order to not be seen as other-- I don't think so. Equino was not the 'same' even if he was no longer just the other-- which makes me wonder whether it might not be more comfortable, in a way, to be 100 % other, than live in a semi state of neither here or there, an in-between, if you will, which is a precarious position to be in, the continuation of which is often dependent on good behaviour. An added is issue is also, if one does lose one's place as 'same' and returns to purely other-- whether this is psychologically doable or not. In so far, i think Equino takes a great risk by writing an autobiography (no matter how much he invokes Christianity) which wants to abolish slavery because he is outing himself as 'one of them'.....? Which 'one' he truly thinks he is part of I have no doubt of, but I'll leave you to answer for yourself....
    (Soniah)

    ReplyDelete
  6. Lance- i just read your comment after posting mine (which I had to do on two parts-- the 2nd part of which pertains to Wilberforce)-- I agree with you that Equino's is stronger by dint of having been kidnapped and a slave (as well as later going on to be a slave owner and perhaps, from this vantage point, truly seeing the horror of what being a MASTER can do to the human/pious Christian psyche--- perhaps it a combination of the two that leads him to write an entire autobiography). But definitely though Wiberforce and Equino's arguments often mirror one another's, Equino's language is the strong and, in so far, often like a scream coming from the heart rather than a letter on how terrible this business is....

    ReplyDelete
  7. Like Lance, I agree that Wilberforce’s speech and Equiano’s Narrative are similar in purpose; both argue against the slave trade on humanitarian grounds and both attempt to strengthen their arguments with damnation, a Christian morality angle. However, Wilberforce’s argumentative speech is based on a historical comparison with another country and how it has been “damned,” while Equiano’s is a persuasively written, personal account using specific and poignant incidents to persuade. Equiano’s Christian “providence” saved him as well commerce. Because of the narrative, first-hand account, Equiano, therefore, can more adequately demonstrate the inhumane treatment to call for change. However, I feel the most poignant passages in Equiano’s narrative are in the earlier sections, particularly with the passage of the slaves from Africa. I felt the second half of the narrative lost some of this poignancy on demonstrating the inhumanity and injustice.

    The second half of his narrative focused on Equiano’s travels, his way of working toward his own gain. He knew how to work the system he was in. There is a fluidity of self. It allowed him to survive. He learned to use work situations for his own purpose and gain like those of the slave owners. He knew the advantage to buying freedom, opportunity to learn, and make money. He continued to stay with his former owners even as a freeman for personal gain, even if it meant returning to areas he felt where extremely cruel areas for a black man, even a free black man, to return to. However, incidents of cruelty are quickly related and most focus on his ability to avoid or have the ability to “talk” his way out of risks, or the incidents focus on him being saved by “providence,” having turned toward Christianity.

    The system of commerce he advocates as the end is not surprising. It fits with his anti-slave narrative. Commerce, his ability to make money allowed him his freedom. I would not consider Equiano necessarily “too white,” but a man that worked within the cultural constructs to effect his own change and in writing his narrative attempts to do so for others. The fluidity of the self is at the heart of the narrative and is demonstrated throughout, to his advantage and to the advantage of those reading the narrative. He needs to connect to his audiences, primarily the white man and black man as well. He demonstrated a work ethic, a sense of commerce that was advantages for his white owners and to him, as it could for other blacks if freed. The purpose if Equiano’s Narrative is clearly a work toward the abolition of the slave trade from various angles. He highlights not only the inhumanity on Christian and moral grounds, but the way in which free men can work together for economic gain for all. Shari

    ReplyDelete
  8. I'm wondering if someone like Wilberforce demonstrate a fluidity of self? Boswell and Pepys do so in so far that their journals are a conversation between their public and private (in so far as how they perceived of themselves) selves.... Are Equino's selves any more special, important, relevant-- did he 'choose' them, or were they a construct of birth and life experiences?

    ReplyDelete
  9. Halfway through Chapter IX, the narrator, Equiano, travels to Turkey, Portugal, Grenada, Jamaica, and the North Pole by ship. He earns the trip by demonstrating that he is an expert hair dresser. This section of the novel closely replicates the travel narrative genre so popular at the time. Equiano admits to his sense of curiosity, a quality the travel writer must possess. He describes the exotica in detail, offering his reader an extensive catalog of description, piling detail upon detail in the style of the genre. He notes the architecture in Smyrna, Turkey where, “the houses are built of stone, and most of them have graves adjoining to them; so that they sometimes present the appearance of church-yards.” He describes the abundance of wine and fruit and catalogs the variety, “The grapes, pomegranates, and many other fruits, were the richest and largest I ever tasted” and sees sheep tails that are “so very large. That I have known the tail of even a lamb to weigh from eleven to thirteen pounds” This sense of wonder and exaggeration echoes the travel journal’s emphasis on items that surpass anything found in England. Back in Smyrna once again, he observes a caravan with hundreds of camels, laden with goods including cooked locusts which he says resemble long French beans. Their ship is loaded with all of these goods for transport back to England, the travel narrative whetting the appetite of Londoners for these exotic goods. He notes customs, such as dancing. He notes religious practices, marriage laws, and ceremonies at the site of the churches. He attends the opera in Naples where he sees royalty in the audience.
    He describes the natives he meets as the exotic “other” -- as “well looking and strong made,” replicating Behn’s description of Oronooko, “of a shape the most exact that can be fancied.” Similar to Lady Mary Wortley Montague description of the turkish women in The Turkan Embassy Letters as “ exactly proportion’d as ever any Goddess,” Equiano takes equal pleasure in finding noble qualities in the natives he sees.
    Equiano describes the atrocities committed by blacks against blacks when a man is hung and flogged, another is staked and bitten by vermin, and another sentenced to death by burning. This is similar to Behn’s description of Oronooko’s fate. The trip is also filled with adventure and near death experiences, like Behn’s account of the tiger. Equiano describes a near mishap with gunpowder that almost blows them to bits.
    What complicates this travel narrative is his meeting with who he calls the natives. Because of Equiano’s race, he turns the consideration of “the other” into “the other” considering the white as the native. It seems that Equiano, employing the genre of the colonial travel narrative, using the language of the white man visiting exotic lands, identifies with the voice of the oppressor. Although I don’t think this lessens his message in regards to abolition, it complicates our view of him and his aims. However much Equiano’s narrative of the exotic “other” resembles the travel narrative written by Montague and developed in fictionalized form in Behn, Equiano is not a white man visiting the exotic “other,” although that seems to be how he is representing himself. His fate depended on his assimilation of white qualities. His acceptance of the Christian religion, for me, is the key to understanding who he thought of as his audience.

    --Nancy

    ReplyDelete
  10. do not find Equiano’s proposal at the end of the narrative to be an outcome of his being too white, but more of a result of the fluidity of self, the product of experience, the search for freedom and salvation. For Equiano, if he must suffer fear and brutality, he, in the second half of the narrative, chooses to suffer these from God rather than man. For even with a righteous, fire and brimstone God he has the promise of salvation; he has the autonomy of self to guide his choices grounded in the joy of redemption, the promise of the afterlife – his freedom from the evil of humanity. He becomes a born-again Christian. “Now the Ethiopian was willing to be saved by Jesus Christ, the sinner’s only surety, and also to rely on none other person or thing for salvation (Chapter 10, paragraph beginning with “In the evening of the same day….”). This is perhaps the culmination of one facet of who he has become; how the world of uncertainty, brutality, grief, coupled with joy, friendship, successes can unite in hope where the “burden of sin, the gaping jaws of hell, and the fears of death…now lost their terror;” for both his soul and his physical being. Equiano is a survivor and the choices and experiences he shares throughout the autobiography reflect a fluidity of the self, but also the survival of the fittest. His learning is mostly self-directed, searching for truth and knowledge through experience, books, sermons, and conversation. He is essentially an autodidact. His journey is one of self-discovery, self-defining, and a journey of survival. The one who learns to adapt is the one who survives and Equiano learns to adapt. From his realizations of his color and his mortification at his inability to change this difference —“I therefore tried oftentimes myself if I could not by washing make my face of the same colour as my little play-mate (Mary), but it was all in vain; and now I begun to be mortified at the difference in our complexions” (Chap 3 – paragraph beginning with “My master lodged at the house of a gentleman in Flamouth….”) —to his acceptance and desire for the white man to acknowledge that “understanding is not confined to feature or colour,” Equiano places himself above race and human domination. I found it interesting his movement in his references to his own people and that of the British, referencing first African, then Black mingled with the term Sable Race, and moving to Negroes; for the British, his first reference is strange complexion, then White, and then Europeans. This seems to reflect his growing knowledge of difference fueled by the complexity of society and the play of dominance. His own journey seems to be a quasi power play, in which he wins and loses his own personal battles. He is at first enticed by fame, by experience, by money, by religion, and finally by God.
    --Karen

    ReplyDelete
  11. I find the text to be rich in many ways not just what is written, but what is left out. As Equiano acknowledges the text can be tedious at times – with the question of how many near death experiences must be shared with us – that the writing would have benefitted from more commentary and reflection rather than andecdotes, that there was never a sense that he escaped slavery, excepted himself as a black man, nor assimilated completely into the British culture and society, rather it seems to me that Equiano struggled to find a way out. He built his armor as a soldier of Christ, a personal internal relationship that allowed him to objectify the behaviors of his fellow man, to pity them, to worry about their souls regardless of their color or physical features, but he also arrived at a place where he hoped to affect change around him – stunted in his efforts to save souls, not being allowed to be ordained, it makes sense that in the end he would advocate for commerce, an area in which he found success which afforded him the time to find God and salvation. If he could not save his people through religion – then perhaps commerce – the two paths that provided him success, opportunity, strength, and salvation. So he is not too white in the end, nor is he black. He becomes a sort of objectified universal, a product of African heritage, British power and brutality, and religious devotion.

    A comparison of Equiano’s autobiography – last pages of content with Wilberforce’s speech confuses, I believe, the intent and the message of each – they are complementary – one based in experience, one in observation and history. I would not expect Wilberforce to offer more than he has – and I would expect him to find comparison in history rather than personal experience – though his awareness and rejection of slavery is all his own. As the culprit of this suffering, he makes clear that it is the fault of the British that African’s have been villianized – put in a situation of “violence, cruelty, and injustice,” reduced to a level below humanity – all in the name of slavery – why not enslave one who is less than an orangutan? So their ideas come together to solidify change – one must talk the proper talk to reach a specific audience.
    --Karen

    ReplyDelete
  12. Text used in above two comments, which are in response to Q3-4:
    The Project Gutenberg EBook of The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, The African, by Olaudah Equiano This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, The African Written By Himself Author: Olaudah Equiano Release Date: March 17, 2005 [EBook #15399] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE INTERESTING NARRATIVE OF *** Produced by Suzanne Shell, Diane Monico and the Online Distributed Proofreading Team
    --Karen

    ReplyDelete
  13. Part 1---I actually thought the entire “system of commerce” argument at the end of the text felt a little out of place. I understand it, I think it fits well with his anti-slave trade argument, I just think that placement-wise he did nothing to build it up and also that the “self” he presents in this tiny little section is a little different than the one he has been presenting us for much of the book(although, to tell the truth most of chapter XII seems a little disjointed, probably because, as he himself says at the beginning of chapter XII “I therefore hasten to the conclusion of a narrative, which I fear the reader may think already sufficiently tedious” it feels like he’s squishing things in because he wants to fit them in before the end (and admits that he’s doing so) so they lose that lovely narrative flow). The thing that struck me about the argument was that he left God pretty much entirely out of it—I know Soniah has already mentioned this. This lack of God in his argument is even more striking because of how he calls on God directly above that on the page (or at least my Dover edition) you get him saying “May the blessings o the Lord be upon the heads of all those who commiserated the cases of the oppressed negroes” etc… It’s almost like he knows he has to appeal to economics and nothing but so he takes out any other type of argument. That said, I don’t think he has become too “white”, but I think he has learned to…stereotype?...people. He doesn’t really identify all white people as Christians anymore, how often does he get on a boat and panic because he’s surrounded by blasphemers? ChXI Section VI as an example when he is being abused by the Captain, “I said that I had been twice amongst the Turks, yet had never seen such usage with them, and much less could I have expected anything of this kind among the Christians.” I think the “system of commerce” is him trying to identify with the one quality he feels that all white people share: love of money. He is used so many times in his narrative between being kidnapped into slavery in the first place to being cheated out of money over and over and over again. And while I don’t think that his argument about trading in Africa is a bad one, he’s really proposing a large gradual change to trade in/with Africa.

    ReplyDelete
  14. Part 2--In the footnote I have in my edition he’s talking about 1,300 pairs of shoes that are currently being exported to Africa and how shoes are “scarcely known to be exported to that country”. That said, there’s a settlement that the shoes are being shipped to, so is that really a new place of export to Africans? (And by Africans I mean the ones that would otherwise be kidnapped into slavery—how much do those Africans really need shoes?) Maybe I’m focusing too much on that little portion of text, but its just interesting to me that he tells us that we can trade with Africa without showing evidence of Africa wanting to trade. Of course, he isn’t appealing to Africa, but I would think that the people who he might want to buy into his argument might want a bit more solid proof that they could sell their goods there. Earlier in the text, towards the beginning I remember him discussing what a waste it was to haul so many people overseas on such a long journey and have half of them die when if they had been taken care of better they would have survived. He’s appealing to his audience’s need to protect their investments, and I don’t think that ever changes throughout the text.
    Also, I know someone else brought up the episode where he was journaling and set a fire with his candle (Chapter IX Section VII), we were talking in class about how he remembered everything he remembered and I was just wondering about this. I don’t remember any other mentions of a journal throughout the text, although I didn’t really think to start looking for one until that incident. Is it possible he had something like this with him to help him put his thoughts together as he was writing this book? Of course this wouldn’t at all help explain all the encyclopedic facts from his childhood because he couldn’t read or write back then…does anyone remember mention of a journal from earlier in the text?

    ReplyDelete
  15. It's enlightening to read all of your comments about how the Narrative concludes, and it made me want to go back to the beginning to look again at how Equiano sets up his tale. In his May 14, 1792, introductory entry, he writes, "Permit me with the greatest deference and respect, to lay at your feet the following genuine Narrative; the chief design of which is to excite in your august assemblies a sense of compassion to the miseries which the Slave Trade has entailed on my unfortunate countrymen." He continues on to ask for the reader's pardon for producing a work of no literary merit based on the fact that he is "an unlettered African," despite the fact that he clearly is no longer such. Equiano invokes the "god of Heaven" to inspire his reader to be inclined towards his argument, then signs the letter "I am, My Lords and Gentlemen, Your most obedient, And devoted humble servant." By using all of these rhetorical tools of his time, Equiano is trying to bridge the divide between the "othered" former slave and his white audience who has never known this discrimination firsthand. He is trying to speak from within and without of his society simultaneously. As he continues his story, Equiano presents himself as an Everyman figure who is neither extremely good or evil. In Vincent Carretta's introduction to the Penguin edition, he writes, "Equiano uses the conventions of the genre, particularly the metaphor of being enslaved to sin, to contrast temporal and spiritual slavery. Although he buys his freedom halfway through the book (and almost halfway through his life), he is literally and spiritually still a slave, albeit his own, until he surrenders himself to Christ, and this true, spiritual freedom" (Carretta xxi). This process creates the arc of a spiritual autobiography, while also creating a bond with his Christian readers through this notion of spiritual freedom that transcends the physical enslavement that Equiano himself endured. As we discussed in class, he seems to mute the tale of his enslavement and middle passage, which could relate to this desire to not alienate his reader, but it could also be reflective of the spiritual freedom he feels he has achieved by the time of his writing this Narrative. In Chapter X, after the voyage to the North Pole ends, Equiano tells of his pivotal religious transformation ("the first spiritual mercy I was ever sensible of"), yet directly addresses his audience in the same passage: "Notwithstanding all this, the reader may easily discern, if a believer, that I was still in nature's darkness." This motivates Equiano to read the Bible all day and then to enter into discussion with two Christian men, by the end of which, "I was entirely overcome, and wished to live and die thus." By offering his own spiritual journey in tandem with his quest for freedom and his physical travels, Equiano strives to connect with readers who are journeying in any sense, as he creates his influential spiritual autobiography.
    --Anna

    ReplyDelete